If you grew up in Britain during the ‘90s, you likely had strong feelings about Robbie Williams, the pop star who gained fame with the boy band Take That before launching a solo career. In the U.S., people may not be as familiar with him unless they’re into music or British culture, but anyone watching Better Man will be hooked right from the start.
Narrated by Williams himself, this vibrant film explores his life, including his battles with fame and addiction. Directed by Michael Gracey, known for The Greatest Showman, Better Man stands out among musical biopics with its imaginative musical numbers that go beyond just recreating performances. Choreographer Ashley Wallen brings a high-energy style to the dance sequences, especially in the boy band scenes.
Gracey, who has a background in music videos, moves away from rapid editing to showcase the choreography and staging more effectively. One intriguing but somewhat distracting choice in the film is depicting Williams as a monkey, inspired by his own description of himself as a performer. Using motion capture, Jonno Davies voices the monkey version of Williams, creating a unique dynamic. While it adds a layer to the storytelling, it can be jarring to see a creature amidst a human cast, suggesting that the concept might have been better suited only for musical segments.
Davies delivers an impressive physical performance, effectively conveying emotion through the monkey’s expressions. Williams reveals his personal struggles, including infidelity and addiction, making for a refreshingly candid narrative that doesn’t shy away from darker moments.
Gracey crafts an electrifying experience that feels both fresh and original, tackling the complexities of fame without getting bogged down in negativity. The film captures Williams’ humor and wit, making it engaging and emotionally resonant. Better Man takes a bold approach, and while it could benefit from a more careful use of the monkey concept, it still offers a compelling watch. Grade: B.